2008三地全年开奖结果
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   文章来源: 科学传播局    发布时间: 2019-12-14 16:23:37|2008三地全年开奖结果   【字号:         】

  

  Crossword puzzles expect solvers to have a good grasp of general knowledge, but sometimes certain facts just aren’t in our personal wheelhouses.

  That’s O.K. We’re here to help you solve … and to help you expand those wheelhouses.

  For our latest list of terms you should know to become a better solver, we’ll be attending a “crossword symphony,” taking a closer look at basic musical notations that frequently show up in puzzles.

  We’ll also show you ways these terms might be clued, so you’ll be able to recognize them the next time they come up. The clues that involve wordplay meant to trick you are bold, to make them easier to spot and so you can learn to think like the puzzle makers.

  If you’re a subscriber and would like to try a puzzle with the guarantee of that answer being right, click on the first clue (highlighted) under each description.

  “Slowly”

  When a piece of music specifies the tempo — or speed — as “adagio,” it should be played slowly, at approximately 65-75 beats per minute (b.p.m.) on a metronome.

  “Adagio” can also be used as a noun to refer to any composition played at this tempo.

  Possible clues: “Slowly, on a score,” “Slowly, to a conductor,” “Slowly,” “Slow symphonic movement,” “Faster than larghetto,” “Samuel Barber’s ‘___ for Strings’”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “For two”

  “A due” — pronounced “ah-DOO-ay” — is used to note that a composition consists of two voices, or that a segment of a musical duet should be performed in unison.

  The four-letter term has three vowels, making it an especially valuable answer for crossword makers; its common letters allow great flexibility for filling other nearby slots with fun puzzle bonuses. Thus, A DUE has appeared in nearly 150 puzzles for The New York Times.

  Possible clues: “Together, in music,” “Musically together,” “For two voices in unison,” “Together, to Toscanini,” “Literally, ‘by two’”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “With the bow”

  “Arco” is the Italian word for “bow.” It serves as a musical instruction to indicate that a strings player should play the passage using one’s bow, as opposed to plucking the strings by hand (“pizzicato”).

  In crossword puzzles, ARCO may also be clued as the gasoline brand based in California.

  Possible clues: “With the bow, in music,” “Instruction to play with the bow,” “Instruction for a violinist,” “Counterpart of pizzicato, in music,” “West Coast gas brand”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Very”

  “Assai” commonly follows the name of a faster tempo, such as “allegro,” to denote that the piece should be played very quickly.

  Possible clues: “Very, in music,” “Very, to a conductor,” “Allegro ___ (very quick, in music),” “Musical intensifier”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Resume speed”

  When the speed of music changes from its original setting — usually through the use of “accelerando” (“play faster”) or “ritardando” (“play slower”) — the notation “a tempo” instructs the players to return to their original speed.

  Possible clues: “Resuming the previous speed, in music,” “‘Resume speed,’ musically,” “At original speed, musically,” “Undoer of ‘ritardando’”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Slowly/broadly”

  “Largo” is a musical tempo played slower than adagio (40-60 b.p.m.). Largo is similar in speed to the tempo “lento” (see No. 8 below), but it also denotes a composition that should be played more broadly and with emotion.

  LARGO might also reference Key Largo, one of the Florida Keys, in puzzle clues.

  Possible clues: “Slow, in symphonies,” “Slowly,” “Funereal tempo,” “About 40-60 beats per minute,” “Slow and dignified,” “Florida’s Key ___”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Smooth and connected”

  A composition whose melody flows smoothly together is said to be “legato.” On a musical staff, curved lines known as slurs connect differently pitched notes to indicate this style of play.

  Possible clues: “Smooth, in music,” “Musically connected,” “Played smoothly,” “Smooth, to Solti,” “Not staccato”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Very slowly”

  Like largo, “lento” is a tempo played slower than adagio, and can also be used as a noun to refer to any lento piece.

  Possible clues: “Slow, in music,” “Slowly, on a score,” “Slower than adagio,” “Indication to bow slowly, say,” “How a nocturne is often played”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “A little”

  “Poco,” the Italian word for “little,” can be used as a modifier meaning “somewhat.” The phrase “poco a poco” on musical scores indicates a gradual change, often with tempo, as a crescendo might with loudness.

  Possible clues: “A little, musically,” “Somewhat, in music,” “Little, in La Scala,” “___ adagio (score direction)”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Gradually slowing”

  RIT is a classic bit of “crosswordese” useful to puzzle makers having trouble with a tough-to-fill area of the grid. The abbreviation stands for the term “ritardando,” which suggests a slowing from one tempo to another in transition.

  A music-inspired clue for RIT will always bear an abbreviation in the clue — or the tag “Abbr.” — to hint that the answer must be a truncated form of the word. RIT can also be clued with respect to the Rochester Institute of Technology in upstate New York.

  Possible clues: “Gradually slowing, in music: Abbr.,” “Slowing, in mus.,” “Decreasing in tempo: Abbr.,” “Upstate N.Y. sch.”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Disconnected”

  Another musical abbreviation common to crosswords is STAC, or “stac.,” the shortened form of “staccato.” Staccato is the counterpart of legato, in which musical notes are played short and disconnected, often in a faster tempo.

  An alternative to the “stac.” notation consists of small dots placed directly above or below individual notes.

  Possible clues: “Quick and detached, in mus.,” “Disconnected, in music: Abbr.,” “Opposite of legato: Abbr.,” “Abbr. accompanying some dotted notes”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  “Be silent”

  “Tacet” is an instruction to rest, or stop playing, for a significant segment of the composition.

  John Cage’s infamous work, “4’33”,” designates “tacet” for all instruments during the entirety of its three movements.

  Possible clues: “‘Be silent,’ in music,” “‘It is silent,’ musically,” “Music direction to stop playing,” “Indicator of silence”

  Sources: Dictionary.OnMusic.org, NYTimes.com, XWordInfo.com

  While familiarity with the 12 terms above can prove helpful with straightforward solving, sometimes crossword clues require a deeper level of music knowledge.

  What happens if reading music isn’t your strong suit, or you aren’t up on your famous symphonies?

  The beauty of American-style crossword puzzles lies in their elegant interlocking of letters in both Across and Down answers. Should a music clue appear daunting at a glance, remember that each letter of the corresponding answer is found in another answer that intersects it. So, as we say, be sure to “use your crossers” to help fill things in.

  There are a few other tricks for determining the gist of music clues:

  1. A six-letter answer whose clue suggests a musical key usually follows the pattern ? MAJOR or ? MINOR, where “?” is the letter A, B, C, D, E, F or G.

  “Key with two flats” = G MINOR

  “Key of Beethoven’s Symphony No. 7” = A MAJOR

  2. A clue referencing a musical note, or its equivalent, can be answered by ? SHARP (if six letters) or ? FLAT (if five letters).

  “Note in the E major scale” = D SHARP

  “G sharp’s equivalent” = A FLAT

  3. A three-letter answer whose clue suggests an adjective describing a musical composition is most likely IN ?. The answer should be parsed as a two-word phrase, such as “in A” (as in, “in the key of A”).

  “Having four sharps” = IN E

  “Like Brahms’s Piano Trio No. 1” = IN B

  Happy solving!

  Sam Ezersky is the associate puzzles editor for The New York Times. He has made more than 30 crosswords for the newspaper, his first published at age 17. He currently edits The Times’s newest digital games, Spelling Bee and Letter Boxed. Follow Sam on Twitter: @thegridkid.

B:

  

  2008三地全年开奖结果“【传】【讯】【符】【和】【传】【讯】【玉】【简】【都】【联】【系】【不】【上】【吗】?”【段】【木】【乙】【问】【道】。 【慕】【少】【玟】【摇】【头】【苦】【笑】:“【各】【种】【方】【法】【都】【试】【了】,【都】【联】【系】【不】【上】。” 【闻】【言】,【冥】【悠】【当】【即】【拿】【出】【一】【张】【传】【讯】【符】,【打】【入】【一】【道】【气】【息】。【符】【纸】【化】【作】【一】【支】【普】【通】【的】【飞】【鸟】【飞】【起】,【然】【而】【只】【是】【临】【空】【盘】【旋】【两】【圈】【便】【恢】【复】【符】【纸】【回】【到】【冥】【悠】【的】【手】【中】。 【传】【讯】【符】【分】【为】【两】【种】,【其】【一】【定】【点】【送】【信】,【只】【要】【指】【定】【目】【的】【地】,【传】【讯】

【幸】【好】,【黑】【龙】【不】【敢】【让】【罗】【敏】【敏】【师】【徒】【近】【身】,【必】【须】【时】【刻】【抵】【挡】【对】【方】【的】【反】【击】。 【不】【然】,【一】【旦】【他】【抽】【出】【手】【来】,【以】【这】【阴】【影】【大】【手】【的】【威】【力】,【连】【罗】【敏】【敏】【师】【徒】【都】【没】【辙】,【罗】【小】【伊】【她】【们】【怕】【是】【更】【加】【抵】【挡】【不】【住】,【转】【瞬】【间】【就】【有】【可】【能】【全】【部】【没】【命】。 “【这】【就】【是】【真】【仙】【神】【王】【后】【期】?【果】【然】【难】【缠】,【再】【这】【么】【耗】【下】【去】,【她】【们】【未】【必】【还】【能】【坚】【持】,【可】【我】【同】【样】【支】【撑】【不】【住】。” 【黑】【龙】【眉】【头】

【小】【树】【叶】【非】【要】【亲】【自】【喂】【秦】【烨】【吃】,【自】【己】【刚】【刚】【剥】【好】【的】【瓜】【子】【仁】,【都】【是】【宝】【贝】【儿】【女】【儿】【的】【一】【番】【心】【意】,【秦】【烨】【微】【笑】【的】【吃】【下】【了】。 “【嗯】【啊】,【真】【好】【吃】!” 【秦】【烨】【对】【着】【女】【儿】【笑】【了】【笑】,【开】【口】【夸】【赞】【了】【一】【遍】,【小】【树】【叶】【闻】【声】【后】,【整】【个】【人】【都】【开】【心】【的】【笑】【了】。 “【嘻】【嘻】,【小】【树】【叶】【最】【爱】【粑】【粑】【了】!” 【小】【树】【叶】【真】【的】【很】【爱】【秦】【烨】,【尤】【其】【是】【她】【现】【在】【这】【个】【阶】【段】,【每】【天】【都】【很】【黏】

  【二】【宝】【说】【了】【个】【日】【子】,【正】【是】【天】【胤】【面】【壁】【的】【第】【二】【天】。 【她】【去】【找】【他】,【本】【来】【想】【爬】【爬】【山】【的】,【谁】【知】【道】【就】【被】【一】【只】【毒】【蛇】【咬】【伤】【了】。 【普】【通】【的】【毒】【蛇】【连】【她】【的】【皮】【肤】【都】【咬】【不】【破】。 【结】【果】【就】【是】【那】【么】【巧】,【碰】【到】【一】【只】【上】【古】【变】【异】【毒】【蛇】,【毒】【性】【极】【强】,【要】【不】【是】【她】【是】【颜】【芷】【枫】【的】【女】【儿】,【恐】【怕】【被】【咬】【以】【后】,【直】【接】【一】【命】【呜】【呼】【了】。 【而】【且】【这】【毒】【蛇】【咬】【的】【伤】【口】【端】【是】【诡】【异】,【用】【了】【许】【多】2008三地全年开奖结果【怎】【么】【短】【短】【几】【天】【就】【让】【他】【住】【了】【卧】【室】? 【看】【来】【这】【个】【少】【年】【在】【大】【小】【姐】【心】【里】【的】【地】【位】【还】【蛮】【高】【的】。 【不】【过】【那】【个】【少】【年】【好】【像】【有】【点】【眼】【熟】【啊】…… 【他】【总】【觉】【得】【自】【己】【应】【该】【见】【过】【他】【的】,【可】【是】【怎】【么】【也】【想】【不】【起】【来】【了】。 “【怎】【么】【了】【吗】?【王】【叔】?” 【门】【外】【半】【天】【没】【有】【动】【静】,【王】【管】【家】【又】【不】【是】【那】【种】【一】【声】【不】【吭】【就】【离】【开】【的】【人】。 【听】【到】【南】【妤】【潇】【的】【声】【音】,【王】【管】【家】【回】【过】【神】

  【这】【些】【人】【的】【选】【择】,【都】【很】【明】【智】。 【村】【长】【是】【个】【标】【杆】,【他】【怎】【么】【选】【择】,【诚】【然】【会】【影】【响】【很】【多】【人】【的】【判】【断】。 【甚】【至】【很】【多】【人】【为】【了】【偷】【懒】,【盲】【目】【的】【信】【任】【村】【长】。 【也】【就】【是】【他】【怎】【么】【选】【择】,【别】【人】【就】【怎】【么】【选】【择】,【恐】【怕】【不】【会】【有】【什】【么】【大】【事】【出】【现】。 【但】【更】【多】【的】【人】,【甚】【至】【可】【以】【说】【是】【绝】【大】【多】【数】【的】【主】【流】【人】【群】,【他】【们】【都】【不】【会】【这】【样】【做】。 【无】【论】【这】【个】【世】【界】【上】【有】【多】【少】【人】【说】

  【司】【嘉】【大】【厦】【门】【口】,【这】【个】【地】【方】,【算】【是】【承】【载】【了】【我】【们】【俩】【真】【正】【意】【义】【上】【的】【第】【一】【次】【见】【面】。 【我】【从】【站】【台】【下】【车】,【来】【到】【大】【厦】【门】【口】【的】【时】【候】,【一】【眼】【就】【看】【到】【了】【他】。【他】【眉】【眼】【依】【旧】【好】【看】,【笑】【着】【朝】【我】【挥】【了】【挥】【手】。 【我】【没】【有】【回】【应】,【沉】【默】【地】【走】【到】【他】【面】【前】。【等】【我】【在】【他】【面】【前】【站】【定】,【他】【自】【然】【地】【伸】【出】【手】,【想】【牵】【我】。 【不】【着】【痕】【迹】【地】【侧】【了】【侧】【身】,【我】【先】【发】【制】【人】【道】:“【在】【京】【医】

  【西】【贝】【朗】【月】【听】【着】【她】【淡】【淡】【的】【哦】【了】【一】【声】,【却】【并】【无】【表】【示】,【想】【了】【想】,【狠】【下】【心】【来】【将】【自】【己】【的】【计】【划】【坦】【白】:“【草】【民】【想】【借】【着】【殿】【下】【在】【瑞】【霖】【的】【势】【力】,【来】【与】【云】【家】【周】【旋】,【将】【云】【家】【彻】【底】【挤】【垮】,【消】【失】【在】【瑞】【霖】。” “【就】【凭】【你】【自】【己】?”【零】【卓】【坐】【回】【桌】【案】【后】,【端】【起】【茶】【盏】【轻】【啜】【一】【口】,【面】【无】【喜】【忧】。 “【草】【民】【在】【瑞】【霖】【经】【营】【多】【年】,【虽】【说】【后】【来】【放】【弃】【收】【手】,【但】【在】【瑞】【霖】【依】【旧】【有】【些】




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